Showing posts with label Reflections. Show all posts
Showing posts with label Reflections. Show all posts

9.10.2018

ODE TO A HUMMINGBIRD

Although Fall doesn't officially begin until late September, I'm one of those people who wants expects the weather to start turning cooler and more autumnal as soon as Labor Day gets itself over with. It's not that I don't like the Summer. I actually really like Summer.  My birthday is in the Summer, vacations usually happen in the Summer, and I like getting more freckles and making s'mores and longer daylight and all of those things. I just don't like Summer when it means 90+ degree weather ALL THE TIME. It's kind of hard to do summery things outside and enjoy them when twenty minutes outside of air conditioning makes you feel and look like you've ben stuck in a damp plastic bag and left on a dashboard. And then when you feel like that EVERY SINGLE DAY for THREE MONTHS, is it that surprising that you're kind of done with it? And possibly developing a very real case of Summer S.A.D? (I don't really think I have this, but there were a few days this Summer when I was like, I HAVE SAD. EVERYONE I HAVE SAD.) 


So right now, as it's still getting into the 90s every day and I have a closet full of sweaters itching to be worn (there's a striped one that is getting particularly eager--I have to shake him off in the mornings), I'm just a little very done. Very, very done. I sincerely hope I have emphasized this enough. I can keep emphasizing if you need me to. I minored in Emphasis. 

But I digress.

A week or so ago (or probably like six or seven weeks ago because this year is flying past me), I was looking out of our kitchen window when a hummingbird descended from a tree up above and zipped down to hover right beyond the window and stare at me. The moment didn't last long--within a few beats he had zoomed back up and over the tree out of sight. But it made me pause, if only for another moment, and think about how fantastic it was. I've always loved hummingbirds. I love how you see them so rarely, so when they do edge into your peripheral vision it's always exciting and fleeting and magical--the way they beat their wings so fast and cut through the air like some otherworldly UFOs. Encountering one is special. 

I also recently learned that a group of hummingbirds is called a charm or a glittering

A CHARM. 

A GLITTERING.

I swear I didn't make this up. A group of hummingbirds seen together at once is so special and so unusual and so magical that the grand namer of animal groups (Dave) decided to call them a charm (or a glittering). Which perfectly fits with how I feel when I see just one on its own, and of course how I felt that day when that tiny, jewel of a hummingbird deigned to visit me down below outside my window. Charmed. 

Which brings me to the end of the sidewalk of my thoughts. Day-to-day life is muddy and messy, often arduous, and full of days just hot enough to make you want to throw things. And that isn't going to change. Fall will come, yes, but afterward will be a Winter you at first embrace then quickly denounce once the Christmas tree is taken down. There will always be something, every day, that you could choose to allow to bother you and get you down. Maybe even multiple somethings--waiting to frustrate and disturb and upset around every corner. But there are also charms of hummingbirds waiting around the next, or perhaps even just one on its own, flying down to hover outside your window to remind you that they exist. To remind you that there is beauty and joy and goodness to find just as much as there are things to complain about. 

Sometimes it's just a glittering on the edge of a regular humdrum day, other times it's overflowing right in front of you, but it's always there. And it always will be. 

And that isn't going to change. 

8.28.2018

THE EXTERNAL AND THE INTERNAL

I find it amusing that some of the most profound and insightful, epiphanic moments I have come in the simplest of ways and about the simplest of things. 

Take, for example, this afternoon.

Upon leaving my desk for my lunch break, I decided on a whim that, instead of sticking around the building I work in, I would walk a good distance away to another building on campus that I hadn’t been to in a long while. And there, sitting on a bench, enjoying the peaceful stillness of a college campus in the Summertime, I felt wonderful—lighter, renewed, full of inspiration and ideas. My mind was cleared of the cobwebs that stuffy office air and fluorescent lighting have a tendency to spin during the work week. My mood soared up into the clouds after the sandbags of frustration and stress dropped untethered to the ground. I sat there, delighted, and then the moment of epiphany hit me.

What changed? What brought on this utter alteration of my mental and emotional states? 

All it took was changing my physical state. 

WHY HAD THIS NOT OCCURRED TO ME BEFORE? Why had I never made the connection between a change of scenery and a subsequent change of mind? Of course, "getting some fresh air" wasn't an unknown concept to me, but it was more than just air, more than a simple swap from indoors to outdoors--it was that I took myself and moved myself somewhere different, somewhere new, somewhere that had such an effect on me, physically, that the effect seeped into my mind and heart as well. I didn't even have to consciously try to make that happen--it just happened. 

As I sat on that bench, my mind racing, I realized this principle doesn't just apply to taking a walk. It applies to so many things in our physical surroundings that we have control over every day. It applies to the clothes we dress ourselves in, the care we put into our appearance, the art we hang on our walls, the cleanliness of our homes. Putting care into and emphasis on these things is not superficial--it actually has a deep effect on our mental and emotional states, for better or worse. And it also applies to our relationships, too. 

We live in an increasingly ephemeral world, where most of our conversations and interactions with others take place behind screens and in isolated places, apart. While for many of us this doesn't seem like a problem--especially for those of us who rank high on the spectrum of introversion--in reality I think it's harmful. The physical distance, over time, dulls our mental and emotional states and causes us to feel increasingly distant inside as a result. There is such a difference when you speak with someone in person--such a strong, palpable connection that is built when you come together face to face. There have been many times that I've walked away from a visit with a good friend and felt like a piece of my soul has been fed. When we are physically distant from others, connected only through our phones and devices, we're missing out on that spark that we need, that part of physical proximity that, subconsciously, improves our minds and hearts, too. 

It's really that simple. The external pieces of our lives have such an effect on our internal well being. If you've been feeling listless or discouraged lately, perhaps you would do well to think about what you can do to change the physical things in your life instead of continuing to dwell so much on your thoughts and feelings, trapping yourself inside your own head. 

Clean your house. Cut your hair. Find a new place to walk to on your lunch break. Meet up with a friend and exist a few feet apart together for a while. It really can change everything.

The physical isn't just the backdrop to our lives, the insignificant adornment to our inner monologues and dreams. Its influence is powerful in its subtlety, profound in its simplicity, and potentially life-changing in its ability to enhance and uplift our innermost feelings and experiences.

Now please excuse me while I go tidy up the front room. 

6.05.2018

NEVER SUPPRESS A GENEROUS THOUGHT

Today the world was informed of the passing of Kate Spade, and my heart is heavy.

It's not because I have a personal connection to anything from her brand, or because I know very much about her, or even solely because she is no longer with us (though that is, of course, a big part of it). 

My heart is heaviest of all because of the huge outpouring of love and kind, eloquent words people have been posting online today after hearing of her passing, and wondering--could it have been different if people had said these things before? If people took the time to write from the heart about how much they loved and admired her and her work, let her know what a lovely, wonderful person they thought she was when she possibly could not have seen that in herself. I acknowledge that I know nothing about her situation and why she took her life, but I do know that a kind, thoughtful note from someone when you're feeling lost or alone can mean a world of difference.

Why is it that people seem to wait until after someone is gone to say such lovely things about them? Why are we so reluctant to be open and genuine about our admiration of someone in the moment when it's how we really feel? What are we so worried about? And why are we so focused on ourselves? 

I have often tried, repeatedly, to live by this quote:

"Never suppress a generous thought." - Camilla E. Kimball

It seems easy enough, but again and again I find myself wondering why it doesn't come naturally to me. Why I can't just walk up to someone I don't know very well and say, "I hope this isn't weird, but I just wanted to tell you that I really love your positive outlook on life and the way you raise your children. You inspire me." Why do I hold back, bite my tongue, leave a compliment unsaid? 

Why can't kindness be our dominant motivation? Why do fear and selfishness win the day so frequently? The world could be such a better place if we would just open out mouths and share the generous thoughts we have with others. If we could remove the barriers of doubt and self-consciousness and be vulnerable in our kindness and love. If we would reach out and tell people how wonderful they are, and why we love them, so they never have to wonder themselves. 

You never know what kind of impact something so simple and pure can have in a person's life. You never know what darkness and pain a person might be struggling with. So today, I'm resolving to fully embrace this quote and this way of life. 

I hope you'll join me, too. 

12.21.2017

THOUGHTS ON ALL THE LAST JEDI RAGE

Unless you've been hiding under a rock (and this isn't meant to be condescending because I kind of wish I was under the rock with you right now), you know that a new Star Wars movie has come out, and that certain people out there are letting everyone know that they are OUTRAGED about it. 

Completely, unequivocally, OUTRAGED. 

Their childhoods are ruined, the Skywalker saga is ruined, and the world as they know it is coming to an end all because Disney decided to do something different with Star Wars than they were expecting. 

I, for one, really enjoyed the film (for a myriad of reasons I won't get into now), but I can understand how people may have been taken aback by some of it. However, what I can't understand is the vitriolic and hateful and ANGRY reaction people are having online. Can we all just take a step back, take a deep breath, and repeat after me:

It is a movie. 

It is a movie. 

It is a movie.

Can you imagine if these people could channel this rage towards something like, oh, I don't know, poverty? Terrorism? A lack of clean water in so many communities around the world? Can you imagine what that would look like? 

"I can't believe Rian Johnson this politician didn't write that bill about child poverty the way I wanted him to."

"There are children out there who don't get to watch Star Wars like I did when I was a kid because they are less fortunate than I was and the thought of it RUINS MY CHILDHOOD." 

"Canto Bight? I can't abide the fact that there are homeless people in my community that I'm not helping with the gobs of my free time I've been spending on such meaningless things." 

"I am not an entitled, sad person who gets angry about Star Wars. I GET MAD ABOUT THINGS LIKE GENOCIDE. THAT'S DEFINITELY SOMETHING THAT DOESN'T MAKE SENSE. EVERYONE WHO MAKES GENOCIDE HAPPEN SHOULD STEP DOWN." 

Please enjoy this nice little slice of perspective. 

You can wash it down with some Ahch-To alien-milk. 

11.04.2017

THOUGHTS FROM A PLAY

The other night, a friend texted me and was like, "Yo. I've got two tickets to a dope show I'm seeing for a class and one's got your name on it."

So I was like, "I'll be there."

And then we sent and saw it. 

It was an adaptation of George Eliot's The Mill on the Floss, which I had never read before, and the most interesting part for me was how they used three different actresses to play the lead character at different stages of her life--one for her as a child, one to portray her as a teenager, and one for her adulthood. While this often happens in theatre and film, what was unique in this production was how, as the main character grew, the younger versions of her would randomly appear on stage at different moments, influencing the character in her current state. At first it kind of threw me off, and I was like *sigh, theatre people* but over time it added this beautiful, profound element to the story that really touched me in a way that only this kind of subtle, physical, theatrical portrayal could. Because though we do grow and change, the younger versions of ourselves really are still inside, and still influence us as we age. 

For me, much like the main character in the play, there is the passionate, creative, imaginative child that didn't care very much about what others thought within me. The child who would spend hours drawing until her hands were black with marker, the child who considered catching bugs and looking for frogs in the creek her duty, the child who loved making people laugh and didn't worry about the kids who thought she was a little odd. She lived and loved and reveled in simplicity.

But there is also within me a teenage self, sometimes uncomfortable in her skin and often so worried about outside appearances and so stifled by self-consciousness and fear that she held back, a lot. I wish she wouldn't have cared so much, I wish she wouldn't have kept so much to herself, and I wish she could have realized that nothing at that time in life really would matter so much in the long run. 

And as the play illustrated so beautifully, these past selves are still a part of me and form pieces of my identity even now as an adult. As I watched the play I realized just how much I want to tap into that childhood self and be less influenced by the teenage one. My inner struggles are so often an interplay between these two past selves, a dance of competing desires. It is freeing, though, to know that at this stage of life I can choose whatever and however I'd like to be. And we all have that choice--to embrace the parts of ourselves we love and admire while recognizing the parts we should avoid, though they may linger. I suppose that's what being an adult is, in a way. I've been wondering exactly what that means for a while, and I think I might have just understood a piece of it. 

12.27.2016

JUST KEEP FILLING THE PAGES

After a long stint of solely reading nonfiction, I've recently gotten back into fiction through the gateway that was Lauren Graham's Someday, Someday, Maybe. And, as I used to do with the genre, long before my time reading was filled with homework assignments and pages of secondary criticism about those homework assignments, I gobbled it up as quickly as I could, shuttling the book with me to work in my purse and taking every opportunity to flip it open on my breaks. Was it the next great American novel? Well, no. But I enjoyed it nonetheless. And though I am not an actress, have never been to New York Citymuch less lived in the place, or known anyone named Barney (beyond the purple dinosaur, of course) the novel resonated with me. And more so than it would have at earlier points in my life. 

Lately, I've been in a sort of rut. I have a job, yes, but it often leaves me devoid of energy to accomplish the other things I would like to do at the end of the day. I know this is an utterly unique and never-before-experienced problem to have, one that I will undoubtedly be called upon by talk shows across the country to discuss, but still. It's annoying. And coupled with that I've had a crippling case of the "self-doubting voice in my head that leads me to believe that I am lame and have no abilities and basically am horrible in every way" for some reason, that, joined together with the lack of energy, lead me to never do any of the things I have such strong desires to do. The things I would dream about doing "if I had the time" back when I was a student and had more pressing things to attend to. Though not unhappy, I would say I've become a bit disillusioned with myself. I haven't felt like myself. I haven't been sure of myself. And that has resulted in not writing, not creating, not being me. (Did I mention I don't like ruts? Okay, just checking. Because I don't.) 

But, rather unexpectedly, near the end of this novel was some simple yet profound advice that I had been needing. Advice about staying true to yourself in your work and in your life, advice about how to make something happen while in the pursuit of your dreams, all artfully wrapped together by Graham while her main character discovers how her life parallels a short story written by J.D. Salinger. In particular, I loved the lines regarding quantity becoming quality and the exhortation to "just keep filling the pages." (I would share them here, but I would hate to separate them from the whole of the context, and also because you you should just go read the whole thing yourself.)

No matter how you feel about yourself and your work, no matter what anyone else is doing, you have to keep filling the pages of your life with effort, focus, and repetition. You're not going to write The Sun Also Rises one afternoon, and you won't paint The Last Supper on a whim or be cast in a Hollywood blockbuster on your second audition, but eventually, as you fill the pages, as you put in the work, perhaps you will. And you definitely won't if you're trying to do what everyone else is doing. 

And then, today, I finally went to see La La Land, the movie I've been waiting to see for months (But seriously, who saw this trailer and didn't immediately go I'M SEEING THIS), and I couldn't help but notice themes similar to the novel I had just barely finished. Themes of pursuing your passions in the face of failure, of being authentic to yourself when it's so easy to allow yourself to slip into something you're not, of giving yourself another chance even when you think it's no use. And those things, coupled of course with the amazing cinematography and music and the story and ALL OF THE COLORS, resulted in me leaving the theater today feeling inspired. And hopeful.

Here's to the ones who dream.   

10.26.2016

PSA: READ THIS

Taking a break from my recent musings on semi-important subjects like the self esteem of pumpkins and the breaking down of wonky metaphors, I feel compelled to share the writing of a friend of mine that is as timely as it is deeply significant in any era. Please take the time to read itI can promise you it will certainly not be time wasted. 


(And honestly, you should just go read everything Megan writes because even if you don't leave her blog feeling uplifted—and I cannot fathom how you couldn't beyou will at least feel much more educated and intelligent from her writing rubbing off on you and that is never a bad thing as far as I am concerned.) 

9.16.2016

OF POEMS AND PAST THINGS

Perhaps it's because nearly everyone I know is getting into the thick of Fall semester, or perhaps it's due to my now working on a campus and being surrounded by bustling students, but I miss school. I miss the daily feeling of my knowledge expanding. Yes, I am still endeavoring to educate myself, but it's a little different when attendance to do so isn't mandatory and if I don't feel like reading 100 pages of a book it doesn't negatively affect my chances of earning a degree and succeeding at life. And yes, there are many other things about school that I miss, but I haven't been able to put them into adequate words quite yet. 

Anyways. This missing has resulted in me going back through my troves of early college writing and happening upon the poetry I wrote for the creative writing class I took freshman year that, along with many, many other things, resulted in me pursuing an English degree. Mostly, they make me laugh, and since it's Friday and I'm feeling wild, here is one of my favorites. The assignment was to write a poem about a place, and, utterly devoid of inspiration and exasperated with that reality, while sitting in the library I decided to just write about sitting in the library. It is untitled, and that is probably for the best. Ahem:


Empty air and
Empty chairs
Stagnant as that book on a shelf that’s never checked out—
This is the library during Spring semester.
Silence. Then
Far away footsteps crescendo,
Left, right,
Left, right, I
Left my heart in the Jane Austen section, as
Most of us do.
Look up.
Was he watching me when he walked by?
Probably.
…Silence.
Cough.
Silence again.
Soon enough that musty book smell travels
to my mouth.
So this is what literature tastes like.
Look up.
Try to count the sea of cloned tables and stop
At seventeen. Too many. Mostly empty except
For that one guy.
Yes, him.
Tapping away in Morse code on his laptop with
The candy-striped tie and too-big glasses.
Eye contact.
Well that was awkward.
Look down quick as a hummingbird and
Wish I had some nectar since licking books leaves one
Thirsty.
Silence. But
Out of the window is an explosion of green, set
Off by that temptress, Mother Nature, and
The shrill chirping of birds pierces through the
Glass.
Yes, I can hear them.
Yes, I am still here.
Surrounded by a monotony of beige
And a pile of assignments.
And maybe, 
like, 
twelve other people.

9.03.2016

THOUGHTS OVER TACOS ON A TUESDAY

A couple weeks ago while engaging in my Tuesday ritual of stuffing myself with cheap tacos (filled with what I have heard is referred to as "meat"sp?), I noticed a man come in by himself, order, and proceed to sit alone on the other side of the restaurant. Being the creeper that I am, I watched him while I finished my "meal." (Luckily for me, he has decided not to press any charges.)

While he didn't look incredibly sad or lonely, I couldn't help but feel how alone he was. He was just sitting there, arranging his sauce packets and reading a newspaper, waiting for his order. And when it came, he sat quietly and ate, then put his coat back on and walked out the door, the only sound he made over the restaurant's music the little electronic ding that echoed from the door as he closed it behind him. Later we saw him walking across the street a few blocks down, still alone. 

There's nothing that makes me more sad than seeing people who are lonely or made fun of. This is why watching movies featuring lonely people, especially the elderly, make me upset and why I cried like a baby while watching the movie Radio when I was seven. Anyway. I started thinking about this man in the taco shop, and how the only person who talked to him was the unenthusiastic woman behind the register who was required to. And I thought about my loathing for certain questions of the small talk variety that I am asked so frequently, like "What did you study in college?" "How long have you been married?" "Where are you from?" and my personal favorite, "How are you?" As all of these things culminated into some sort of sad epiphany in my head, I realized there are probably so many people out there who would love to be asked those questions, who long to have someone care enough to wonder. They would love to talk about where they're from, what they love to do, and even "how they are" that day. And, for whatever reason, they go through life not being asked those simple things.

In this moment I felt ashamed and rather selfish for taking the simple conversations in my life for granted. Because there was a man in a taco shop that maybe needed a simple conversation himself. Or maybe just a smile or an acknowledgement to remind him that he is a person worth acknowledging. We get so wrapped up in ourselves that we forget that, surprisingly, everything is not about us. It's not even all about those we know, or those we love. Our spheres of influence can be so much wider, so much more inclusive. I think there are a lot of people out there who wouldn't mind being a part of ours, even if just for a moment.



8.20.2016

BIRTHDAY THOUGHTS

My mom always likes to remind me of the morning of my fourth birthday when I burst into her room and made the declaration "Look! My legs are longer!" expecting that becoming one year older would bring about major changes overnight. With the magic wand of birthdays waved over my head—and supposedly, legs—I, Camryn, would be noticeably taller and oh-so-grown up. Move over, three year olds.

Though a few birthdays have passed since then I don't think this feeling surrounding birthdays has ever left me. I recently celebrated my twenty-second birthday and I couldn't help but feel that something big should have happened by now. Why don't I have my future all neatly plotted out? Why aren't I super confident and sure of myself yet? Why haven't I finished writing that novel and gotten it published? I'm wasting my twenties! What is wrong with me? 

And then after I complete the cycle of self-doubt, I realize, wait—I still have so much time. And look, there's a cake sitting in front of me with candles on it and so many people telling me how much they love me and everything really is okay. And there's cake. 

My only regret looking back on year 21 was that I didn't go into Forever 21 more. Even though I haven't shopped there in years. 

It just should have happened, you know?

7.03.2016

VERBS

Over the past while I've come to the unfortunate conclusion that I am spending far too much time talking about what I love to do than actually doing what I love to do. I spend too much time consuming the creations of others instead of doing the creating myself. I've realized that my goals and dreams have been reassigned to be completed "sometime in the near-to-distant future" or "when I have time" and I do not like that. 

So, this is my little Sunday PSA for anyone who may be in a similar boat to mine: 

Do whatever you need to do to rewrite yourself as the protagonist in your life, then act accordingly. 

Which means, act. And all the other verbs you enjoy doing and should be doing that you haven't been doing. Lately the verbs in my life have been sit, consume, complain, bemoan, worry, and waste. The worst part is I've been too desensitized and distracted by enacting these verbs to realize that they were my reality. So, today, I will replace them with write, create, explore, uplift, remember, and become. Never mind the endless quest to attain lofty nouns like positivity, happiness, and success. Simply focusing on the verbs is a much better way to serendipitously arrive at the nouns anyway. You are constantly doing something, so make sure that something is done with a verb that you enjoy, or at least one that is worth your time. We only have so much of it. 

6.06.2016

ON QUIET, MY INTROVERSION, AND WHAT I KNOW NOW

A few years ago I went on a book-buying spree and picked up Susan Cain's Quiet, the revolutionary book about introversion and extroversion that talks about why introversion is not a negative thing, as so many of us suppose, but simply another type of temperament. The yin to the yang our culture has chosen as the ideal. I read about half of it, then, for whatever reason, stopped in the midst of everything going on in my life. But a week or so ago I picked it up again, started from the beginning and finally finished it. And I can truly say that this book has completely changed my outlook on myself and given me so much peace of mind. So much so, that I want to write about it because, for once, this is a personal experience and struggle I've gone through that I really do want to share with people. So I suppose I'll start from the beginning.

I've always shown signs of being an introvert, without really being aware of the term early on in my life. I was the girl who was perfectly content to draw for hours on end, would fall asleep with The Velveteen Rabbit open on my chest, and overreact to the tiniest of problems in my world, from the toe line on my sock being in the wrong place to not knowing how something would be before experiencing it. I even came out of the womb crying like crazy, reacting to everything around me and apparently screaming in protest that maybe I wasn't quite ready to be out in the world yet. And in many early pictures of me as a baby and throughout elementary school, you can tell that I had been crying right before they were taken. Off the top of my head I can think of at least three or four instances connected to these pictures that my family still loves to tease me about, including one picture when I was about five when my parents had to put a tarp down on top of the fall leaves we were sitting on so I wouldn't be terrified of the possibility of spiders crawling onto me during our family pictures. In another taken a few years later, I'm sitting on a bale of hay holding a pumpkin and looking very upset. Classic Camryn. I felt deeply, I cared deeply, and I definitely had my boundaries between where comfort existed and where danger was sure to dwell. Though I was deeply imaginative and chatty and loved entertaining my family at home, I clung to my mother's legs in public like a frightened deer overwhelmed by the headlights of new experiences and unfamiliar people. When I first started school, though, my mom had no problems dropping me off for afternoon Kindergarten. She says I was completely in my element there. So, I was highly sensitive, living in my own inner world, yet socially adept enough to enjoy school and making friends and being around others once I got acclimated to them. It's not that I wasn't socialI was just social in a different way. But I always knew that I was different, and at first this wasn't an issue. And as I read Quiet, I realized that none of the characteristics of introverted people are really an issue: I knew I preferred talking to others one-on-one or in small groups rather than talking before an audience or speaking up in a larger group setting. I spent most of my time in my head. I was constantly observing, constantly evaluating, constantly aware of my surroundings. I was happy to spend an afternoon doodling or writing or reading a book. I preferred to have fewer friends, but closer ones. I could tell which of them were genuinely my friends and those who weren't so honest and kind in their intentions. I liked to work by myself, spent HOURS on school projects going way above and beyond on themespecially if any level of art or creativity were involvedand absolutely hated being in front of people or having all eyes on me. 

But unfortunately, that last aspect of my introversion became the detriment to my confidence. Because, as I grew up and went through the public school system, having an outward, bubbly, loud-mouthed, easy-going personality became something to be valued. Not only by my peers, but also by many of my teachers, adults I knew, and society in general. Suddenly, I had a reason to allow this aspect of myself to become something negative, that I came to view as a fear, a weakness, and a part of me that was holding me back from being what I perceived as my "best self." A self that I couldn't ever attain because of this horrible, embarrassing, unfortunate problem I had of not feeling comfortable being the center of attention or speaking up in class. And I hated it. I lived with the constant tension of wanting to feel fine just being quiet, while beating myself up at the same time for being that way. Why couldn't I just make comments left and right and loudly make a joke in class like everyone else seemed capable of doing? I knew I was smart, I had a reputation for it too, but only those I got close to or spent a lot of time around knew how I really was--goofy, fun, compassionate, and bursting with things to say. Over the years I would toggle back and forth between telling myself that I was okay with who I was, that it didn't matter that I didn't speak up because most of the people who did didn't know what they were talking about anyway and everyone already knew I wasn't stupid--finding a sassy brand of solace in the phrase "'Tis better to remain silent and be thought a fool than to speak aloud and remove all doubt" and having this sort of "stick it to the man" rebellious attitude about the fact that I was perfectly fine sitting on the periphery of the classroom and not saying a word and no one could tell me that was bad, and feeling completely horrible about myself and upset with what I thought was a limitation, and being embarrassed that everyone must have thought I was so shy and quiet and lame for not being comfortable being brash and witty in groups greater than four or so people. And, obviously, this became a huge problem for me. Probably the biggest, hardest problem I had to deal withand really, the only thing holding me back in life. The saddest thing is what was holding me back was myself. And I lived constantly believing that I needed to "fix" this about myself. 

I remember each year before school would start, thinking that I'd be different that year. That year, I would command the classroom. I would sit in the front, boldly challenge my teachers, and earn the respect of all of my classmates. That year, I would show them what I was really like. I would "come out of my shell." Oh, that phrase. One year at a summer girls' camp, when I was fourteen, I remember an older girl I looked up to writing me a note about how she had gotten to know me better as she spent time in our camp and that I'd really "come out of my shell." I remember that meaning SO much to me. I treasured that note. I felt like I was finally becoming that awesome person I'd always wanted to be, and OH MY GOODNESS this girl had noticed and told me and it felt so affirming and amazing. (I realize now that the reason she said that and felt that I had come out of my shell was because we were spending time in a small group, with people I already felt comfortable around, and she had simply never been in that type of setting with me. I wasn't acting any differently at all.) But, when school rolled around a month later and I thought things would be different, like always, they weren't. Like always. I was the same petrified girl I always was in the classroom, inwardly churning with frustration and wondering why I couldn't just change. Why was it so hard for me to open my mouth and not care that people were looking at me or listening to me or simply acknowledging my presence? Over and over again, I decided that there was something wrong with me. I, a flawed, lame, scaredy cat, would never change and therefore, in my eyes, never be a "better person." The person I wanted to be. Perhaps in college I'll change, though, I said. I won't know the people in my classes, there will be thousands of people instead of the same kids I grew up with for years, and I can completely reinvent myself and no one will know I used to be so quiet. 

But, there I was in college with the same thing happening all over again. What I turned into my fear years ago haunted me all through my schooling, and bothered me right up until the last day of college. I'm not kidding. A couple of years ago, I got a paper back from a teacher I admired with a comment on the back where she wrote about how surprised she was that this came out of me, "the girl who barely makes a peep in class," and that she wished I would say more since I had such good ideas and wrote so well. And on the first day of a memoir writing class I took, when instructed to sum ourselves up by writing a six word memoir, I wrote "Trapped inside; I hold the key." This clearly was a big issue to me. I mean, "trapped?" That's quite the word to use when you only have six words to define yourself. This short memoir, in six words, accurately summarizes what I thought was wrong with myself, and my belief that I was the only one who could fix itand that it apparently needed to be fixed. Looking back, how sad is it that I chose to define myself so negatively? So harshly? I had made this negative emotion such a part of myself that I couldn't see myself without it.

Right before my final year of college began, I did the same thing I always did, again. I would be different this last year. In my last year I would be the most confident and okay-with-myself I had ever been. I was married, I was happy, I was surrounded by wonderful people I loved, I would be so sure of myself and not care what people thought! But there I was, turning into the same shy turtle tucking into my shell and beating myself up harder than ever. Because I was a college senior, dangit, and I should be better than this. I particularly dreaded going to the class of a certain professor who liked to call on me and ask if I had anything to add near the end of class. Obviously, I didn't, because I didn't raise my hand, thank you very much. I hated that I was being treated like a nervous five-year-old who needed to be poked and prodded to "come out of her shell." Who needed to participate in class more. Contribute. But I also hated that it just wasn't easy for me to do so. And the worst part was that I loved this professor, I loved the class, and I wanted to live up to the greatness she obviously saw in me. There was just that disconnect between writing down insights and observations and voicing them aloud. In my final year of college, I still felt like there was something wrong with me, and that I was a failure because of this. I got so embarrassed. And if I ever dared to make a comment, I hated how surprised everyone looked that I just stopped doing it altogether. 

Near the end of my last semester, one of my professors chose to shake up the traditional style of class discussion one day by putting the class roll in the middle of four desks he moved in front of the room and telling us that if we wanted to get our points for being there that day, we had to go up to the front at some point, sit in one of the discussion chairs, and say something about the text. I wasn't just nervous, I was ticked. How dare he make us play a game like puppets, jumping through this arbitrary hoop to get four points for showing up and doing the reading that day. How dare he try to push us, twenty-something adults, into speaking by treating us like children. And how dare he do that on the day we were discussing an incredibly boring Dickens novel. Sure, I could have stepped up there, taken my turn, and awkwardly said something about the actions of a character or parroted some aspect of the novel's theme we had already talked about. But such an action felt so hollow, so forced, and so absolutely unnecessary that instead of being a good girl and walking up there to help diversify the amount of people making comments in class, I put my notebook into my backpack, stood up, and forfeited my points for the day (after an inner struggle and worrying about what everyone would think for about thirty minutes, of course). But then I laughed at myself on the way to the bus, because for once, I realized that I didn't really care. He could try to force me into it, but going so far out of my comfort zone just wasn't worth those four points to me. (This attitude was probably influenced by my senioritis as well, but still.)

And now, after reading Quiet, I realize that there was never anything wrong with me this entire time. Never. I simply was living in a world and a classroom environment that was geared toward the extroverted. And because of that, I made myself feel like there was something wrong with me, instead of realizing that some people are naturally more extroverted than others, that that is okay, and that our culture puts extroversion on a golden pedestal as the ideal we should all aspire to. But, though that really isn't fair, I don't have to let myself be terrorized by that reality. I don't have to want to be someone that I'm not. I don't have to feel bad when I decide to simply listen instead of making a comment, or choose a career path that isn't as "out there" as others might aim for. We all function differently, and we all have different levels of stimulation where we feel comfortable at. But that doesn't mean I should stay trapped inside myself, either. 

In her book, Susan Cain talks about how and when introverts can act beyond their usual limits and do things like speak in front of people without wanting to die or run meetings and committees while feeling at ease. And the key is if they feel and care deeply about the things they're speaking about or working for. When I read this section a lightbulb went off in my head and I remembered all of the times growing up where I did things completely out of character and didn't feel scared. There was the time in 5th grade when I decided to do a project about Monet and I made this awesome poster with all of his paintings that I liked on it and I stood up in front of the class and actually enjoyed myself. There was that time in 7th grade Biology when we had to do a project about any species that we wanted to study, I chose salamanders, and for my poster I cut salamander shapes out of all sorts of colorful, glittery fabric and put them all around the background I had sponged with different shades of green, gray, and brown to look like a swampy environment and my heart didn't leap out of my chest when I presented my project to the class. And, in high school, there was that time I used a charting system of paper on the board to talk about the plot of The Great Gatsby, complete with red Xs I'd put on top of the characters when they died, my presentation on witchcraft in England and Salem in the 1600s and all of the various means used to torture accused witches when I felt like the class was putty in my hands, and finally, the time I somehow got second place in a regional SPEECH competition that our teacher made mandatory and I felt completely at ease while standing in front of my peers delivering itboth times. It used to bother me that sometimes it wasn't so hard, while other times it was, but now I realize that it was because I was fully prepared for all of these particular moments in the spotlight, I spent a lot of time making them the best I could, and I genuinely was excited or interested about the things I was talking about. That was the key to comfortably stepping into more extroverted shoes. 

This makes sense of something that happened to me a few months ago, too. Our English department has an annual symposium that students are encouraged to submit research papers to that they would then present in different panels to whoever showed up--which could be fellow students, family, faculty, and anyone mildly interested in the panel theme. Instead of doing this, because it would mean having to present in front of what could be dozens of people, I decided insteadat the gentle prodding of one of my favorite professorsto publish a paper I wrote for his class in a student journal. Not long afterwards, I was notified that it was chosen for publication, and I felt awesome knowing that not only would I be published, but I had successfully done something exciting that didn't involve speaking in front of people. I could now graduate without feeling like a complete loser. Perfect. But, the editor of the journal eventually emailed me and asked for me to present my paper being published on the journal's symposium panel featuring some of the best work in the next edition. At first, I wanted to say no, but I decided to do it anyways, and although I was way out of my comfort zone, I was passionate about what I had written, and because of that the experience wasn't so bad. I, an introvert, finally said all of the words I hadn't been saying in my classes in those twenty minutes of presentation, and I felt amazing afterwards. Awkward, but amazing. 

So, though it will probably take quite a while for me to stop thinking about certain aspects of my temperament so negativelyas those feelings are so ingrained within meI'm glad that I finally realize that I am fine. I am okay. There is nothing wrong with the fact that I don't light up at any opportunity to address a crowd. I wish I had realized this sooner. I have other strengths, and Quiet has reminded me of what they are and shown me how to best use them. I am really good at listening. I am conscientious, observant, and notice things that others pass by. I feel deeply, and often care about the feelings of others more than my own. Because I work well independently, I am more prone to excelling creatively and crafting something in that solitude that will be worthwhile to others. I can be that person someone has a long, intimate conversation with when they need it most. And I can more closely touch the lives of those around me because of, not in spite of the fact that I prefer to work behind the scenes, outside the rays of the spotlight. The world couldn't function if we were all the same, if we were all Steve Jobses and Aarons and Martin Luther King Jr.s. Yes, they are important, but so are the Steve Wozniaks and the Moseses and the Rosa Parkses who aren't so comfortable standing on a stage in Silicon Valley, speaking before all of the Israelites, or at the podium of a civil rights rally. 

And though these introverted types of people are quiet, there's no reason why anyone should ever forget them in the midst of the extroverts among us, or for them to think less of themselves. We all have a part to play, and isn't that wonderful?

I'm starting to see that it is. 

__________________________________________________________________________________



For those who would like to know more about Quiet, Susan Cain gave a Ted Talk that sums up the majority of her research and ideas and should give you a good idea of why you really need to drop what you're doing and read her book, now. Whether you're an introvert yourself, or if you know one—and you definitely do. 

Also, for those interested in the Myers-Briggs Personality Test, I'm an INFJ. 

5.17.2016

THE COLLEGE CHAPTER

Okay. One more post about college and then I swear I'll (maybe) never write about it again. But I ain't gonna make no promises, yo (This is the title of my upcoming rap album). Prepare for a lot of rambling thoughts and reflections and feelings and subtle undercurrents of denial (because WHAT THE HECK HOW AM I A COLLEGE GRADUATE WHEN DID THAT HAPPEN I FEEL WEIRD). 

During my last semester I was in a Graphic Design class. An actual, real design class where we used Adobe programs and made logos and said really long winded, conceptual things that never needed to be said about circles and squares. I find it very interesting that I wound up taking this class in my final semester of college as it's a very narratively perfect bookend to my undergraduate career. I started here, and I ended here.

When I first got to college, all wide-eyed and excited and full of confidence, I decided fairly quickly that I was going to major in Graphic Design. People always told me I would be so good at it, I loved doing creative things, and anything art-related was a big chunk of my list of creative endeavors. When I was little my favorite thing to do was draw. My mom says I would end a marathon session of drawing with hands completely black from the ink of my favorite Crayola markers. Creating things had always made me so happy, so it made sense that I would pursue this path. So I enrolled in the pre-requisite design and drawing classes, and I did really well. My professors told me I was definitely going to get into the program. They gave me grades that reflected that. But, a year after I started and had applied, my application was rejected, and I had to decide between waiting a few months and applying one more time, or choosing a new major and leaving my artistic aspirations behind. 

The funny thing about this transition period was that I wasn't really that upset about not getting into the program. All along I think I knew that something was off--I didn't really belong there. Looking back, I think I subconsciously knew I would be an English major all along--I started with an English minor, for goodness sakes--and was just fighting it because I thought the art program would be easier. And it's truethe art classes I took were a lot easier. And I would also have to take two years of a language if I pursued an English degree, and I was a gigantic chicken and thought that it would be too difficult. But, after a lot of thought and experiences happened at once, it was one of the easiest decisions I ever made. I remembered how much I loved writing research papers in high school, even though they took a lot of effort. I remembered how much I loved creative writing activities in elementary school, and a certain story I wrote about a magic carrot. I remembered the day I walked into my English class near the end of my senior year and a school counselor I rarely talked to was walking out and he stopped, looked at me, and said with all seriousness, "You should be an English major," before walking away without another word.  I remembered how invigorated and inspired I felt in every English class I'd ever taken. And it was obviousthe English program was where I belonged. 

But I kept graphic design as a minor, and had to squeeze the introductory course I would have taken had I originally gotten into the program in my last semester in order to complete it. And honestly, I really loved it. But standing where I am four years after I began my college experience, I can see that even though I enjoy it and am good at it, I wouldn't have fit in there and I wouldn't have been truly happy there. I could still see that something felt off. So I am extremely grateful that I ended up where I needed to be, and had this realization once again at the end of this very fitting, very cohesive plot of this chapter in my life. And what an interesting narrative this college chapter has been. 

I find it fascinating that we all create narrative arcs in our own lives. As if our lives are already books, as if WE are books. (And Milton would argue that books contain the essence and life of the person who wrote them--and to destroy a book is as bad as killing a man. But I digress.) We use stories and narrative to shape our disparate experiences into meaning, which is one of the reasons I am so interested in stories and their power to affect people. We are drawn to them because they are how we understand ourselves. And in these past four years of my life, all of the mundane, routine days going to classes and working and reading and completing homework, now, at the end, have formed quite the story. It really has all of the elements of a heroic sort of fairy tale:

A girl, who became a legal adult the day she traveled to a place hundreds of miles away from where she had lived her whole life, found herself in a place where she knew no one. She was a stranger in this foreign place. She struggled and cried. But she realized she was not alone in her feelings, and with the support of newfound friends and family she came into her own. Everything was going well, and she thought she knew which path she should walk down, but then halfway through her time in this place she came to a dead end and wondered where she would go instead. And then one opened up to her view, and she realized a longing to go down this path was within her from the start. Along the way, there were like-minded people on that path who she grew to love. There were great, master teachers who inspired her mind and directed her skills. There were villains who didn't want her to succeed, many frogs, a charming prince, a few dragons blowing fire her way, and a final test in the end that required her to do something far outside of her comfort zone to accomplish what she previously thought was beyond her. And then, before she knew it, she emerged from the maze victorious, ready to search for her next path in life. And with the flip of a page, she began the next chapter. 

At least, that's one way to construct the narrative.

2.04.2016

IN DEFENSE OF THE HUMANITIES

I am an English major.

I read a lot of books. I write a lot of papers. I think a lot about people.

And I've been thinking a lot about that.

As the world becomes more technologically advanced, the debate about the usefulness of the study of the humanities continues to grow. Primary and secondary school systems are phasing out the arts in favor of coding classes and STEM education. Universities are decreasing funding for liberal arts programs. Even our president is criticizing the worth of a liberal arts degree. And raised eyebrows, scoffs, and questions like "Oh, so what do you want to do with that....teach?" continue to follow a humanities major's declaration of what he or she is studying, all despite the reality that they actually have the same employment rates and success after college as students who studied more technical majors. (And their honed abilities in analyzing, thinking critically, solving complex problems, and communicating are actually the skills over 90% of employers today are looking for in their workers. Just saying.)

But regardless of jobs and the economy and numbers and what everyone seems to care about, there's something about an education in the humanities, and particularly English, that I find much more important.

In the English major (or study of literature for those of you in non-English-speaking places), you learn about everything. It's so much more than writing papers and reading poetry and talking about Shakespeare. You seriously learn about everything: history, war, social issues, gender issues, generational differences, psychology, health problems, EVERYTHING. For instance, today in my classes we talked about post-World War II disillusionment in England, feelings surrounding religion in the latter 20th century, Mary Wollstonecraft's feminist writings and the importance of educating women, and how Aristotle's writings are reflected in our current legal system. I don't have to be a women's studies major or a history major or be in law school to learn about and dwell on these things. And I don't have to read a textbook to understand it. I just read literature.

I firmly believe that literature is the lens through which we can better understand people. People as they have always been and always will be. Technology has changed, scientific knowledge has expanded, customs and traditions differ, but I'd bet that we are not so different from any human who ever left us literature to readliterature that we should read, because people write things for a reason. They want to address issues, preserve attitudes and feelings, document history, change the way we think, or challenge the status quo. Poetry isn't just written to sound nice and flowery and we don't just read it to feel good and say, "well wasn't that nice? Class dismissed." We read it to understand. Understand what it was like to live during the bombings in England in World War II. What is was like to feel conflicted between political causes in Burma. What it is like to have PTSD. For a moment, you are able to get outside of yourself and consider someone else's position, someone else's life, and truly be a part of the human experience and feel beyond what you could on your own. (It's not surprising that science has proven people who read literature are more empathetic).

Now, lest your brows are furrowed with rage or incredulity and you're saying "But Camryn, how can you claim that coding and engineering aren't important? If we didn't study those things we'd still live in huts!" I'm not saying that. I don't think that technical skills like technology, math, engineering, and science aren't important. They are extremely important to society and the development of our modern world and our understanding of everything around usnature, space, our planet, buildings, transportation, communication, the list is almost endless. Without people studying these things and being rewarded with great jobs because of it, we really would still live in huts. Because of these people, we get to learn how things work and how the world around us works.

But those who study in the Humanities learn how we work. They learn about people, they learn about history, they learn about what makes us what we are. I mean, the root word of Humanities is human. And, correct me if I'm wrong, but the day we lose our sense of what makes us human, the day we as a society decide that history and art and, most especially, literature, are useless and unprofitable areas of study, the day that art courses and music time and writing and reading are lessened or eradicated from our kindergartens and elementary schools, is the day we lose our soul.

I can't think of anything more important than making sure that doesn't happen.